lunes, 24 de abril de 2017

Daniel Juárez - Neuronal Odd World (2017)



Daniel Juárez nace en 1992, en Talavera de la Reina (Toledo). Su padre, Francisco Juárez, le muestra la música de Jazz, Latin Jazz y Jazz Fusión desde la temprana edad de 4 años. Se inicia tocando el saxofón a los 10 años en la Escuela Municipal de Música y Danza Eusebio Rubalcaba (Talavera de la Reina).

Más tarde se traslada a Madrid donde estudia piano, armonía y ensemble de Big Band en la Escuela de Música Creativa. En 2011 comienza sus estudios para obtener el Título Superior de Música en la modalidad de Interpretación de Saxofón de Jazz, en el Conservatorio Superior de Música del País Vasco (Musikene), finalizando con nota sobresaliente en 2015. Después comienza su grado de Master of Music en la Manhattan School (Nueva York) y decide continuar su máster en Prince Claus Conservatorie (Groningen, Holanda), donde más tarde realizará un intercambio con Queens College para volver durante unos meses a Nueva York. En 2017 termina dicho Máster.

Durante su etapa como estudiante recibe clases de los grandes saxofonistas: Oscar Iris, Bobby Martínez, Bob Sands, Mikel Andueza, Donny McCaslin, Gary Smulyan, Michael Moore, Ben Wendel, Tineke Postma. También de importantes artistas y pedagogos: Miguel Blanco, Guillermo McGill, Ari Hoenig, Justin Dicciocio, Miguel Zenón, Taylor Eisgti, Guillermo Klien, Alejandro Mingot, Joaquín Chacón, Panagiotis Andreou, Steve Altenberg, Andrzej Olejniczak, Will Vinson, entre otros…

Ha podido compartir la música y escenario con importantes artistas como: Adam Nussbaum, Michael Moore, Kevin Hays, Jerry González, Alina Engibaryan, Marc Miralta, Owen Hart Jr., Perico Sambeat, Makram Aboul Hosn, Bob Sands, Javier Colina, Guillermo McGill, Miguel Blanco, Bobby Martínez, Borja Barrueta, Noa Lur, Mariano Díaz, Albert Sanz, Roger Mas, Carlos Martín, Javier Vercher, Juanma Barroso, Xan Campos, Félix Rossy, Shai Golan, Samvel Sarkisyan, y un largo etc...

También ha participado en bandas y proyectos como: Bobby Martínez Big Band, Pepe Rivero Bib Band y quinteto, Bob Sands Big Band, Miguel Blanco & Jerry González Big Band, Afrodisian Orchestra, La Calle Caliente, Guillermo McGill 4tet, Mariano Díaz & Joaquín Chacón: Skytrain 5tet, The North Atlantic Jazz Connection, Seminal Jazz, Garob Band, The Machetazo 5tet, The Fool On The Hill, Aurora García & the Soul Band, Noa Lur 5tet, Jorge Castañeda 5tet, y sus propias bandas como líder, entre otros.... Ha realizado dos trabajos de investigación sobre: la evolución de la rítmica en el Jazz y la Polimetría o superposiciones rítmicas.

Premios y reconocimiento artístico:

2010: gana el premio “Talavera Suena Jóven” con su cuarteto.

2012: obtiene el premio al mejor solista en el "V certamen de Jazz a Castelló" (premio que le concede Juan Claudio Cifuentes "Cifu").

2012: finalista en el V certamen de "Jazz Sur l`Herve” en L'Anglet (Francia) con el grupo The North Atlantic Jazz Connection.

2013: Chema García Martínez (crítico de Jazz de la revista “Cuadernos de Jazz”) le nombra como uno de los dos músicos revelación de Jazz de 2013.

2015: ganador del “VI certamen de Jazz a Castelló” con el grupo Garob Band.

2016: finalista del concurso de Jazz Olorón (Francia), con el grupo Garob Band.


2017: seleccionado para concursar en certamen nacional Holandés “Next Generation In Jazz”.

1. 17th Stage
2. Promise
3. The York One (part 1)
4. The New One (part 2)
5. You Said My Eyes Could Speak...
6. Freedom Warriors
7. Fight For What You Want!
8. Generation 27 (Stellar Horizons)
9. Stiff Heart vs. Brave Heart

Alina Engibaryan: vocals in #2, #5 y #8
Álvaro del Valle: guitar
Jorge Castañeda: piano. Rhodes in #1, #5, #6 & #8
Jesús Caparrós: electric bass
Samvel Sarkisyan: drums
Daniel Juárez: tenor sax, synths in #9, vocals in #7, claps in #7, co-production, compositions

Recorded and mastered at Purchase College (Westchester, N.Y.) on November 9th & 10th (2016). 
Laura de Rover: sound engineering, co-production & mixes. 
Jeremy Kinney: mastering. 
Jorde Briman: Video filming and editing. 
Paula Pupo & Ricardo Fernández: art design. 

All songs composed by Daniel Juárez. All rights reserved. 
Lyrics of the tune "You Said My Eyes Could Speak..." by Daniel Juárez and Alina Engibaryan. 



Paulo Silva Trio - Mãe (FREE CODE JAZZ RECORDS 2017)



Paulo Silva es un batería, percusionista, músico de directo y estudio y compositor de Salvador da Bahía (Brasil) que lleva 10 años por tierras gallegas desarrollando su carrera musical. Paulo es conocido por la versatilidad de estilos y por acompañar a diversos artistas de la Península Ibérica, Brasil y de otros países durante su carrera como Dulce Pontes, Uxía, Antonio Zambujo, Narf, Alceu Valença y Abe Rábade, entre otros.

En su primer trabajo en solitario opta por centrarse en un estilo al que se está dedicando cada vez más, el jazz. En este trío cuenta con dos grandes músicos gallegos: Valentín Caamaño (guitarra eléctrica) y Alberte Rodríguez (contrabajo).

A principios de 2017 publica su primer trabajo discográfico titulado “Mãe” (Free Code Jazz Records, 2017), donde el trío ofrece temas propios y clásicos del jazz.


1 6:26 4:49
2 FUNK IN DEEP FREEZE 6:43
3 BODY AND SOUL 5:00
4 QUATRO 5:47
5 ISFAHAN 5:32
6 BIRK WORKS 4:47
7 PRAIARA 3:32
8 VIAGEM 4:29

Alberte Rodríguez, bajo eléctrico
Valentín Caamaño, guitarra
Paulo Silva, batería


Lars Danielsson - Liberetto III (ACT MUSIC 2017)




Music must touch the emotions

For Lars Danielsson, that consummate craftsman of sound on both cello and bass, the power of music resides in melody. It is the heart from which everything else develops, and his Liberetto ensemble has stayed true to this principle again in its third album. The word 'Liberetto' which Danielsson coined for the name of the group also serves well as a descriptor of his art. 'Libretto' is a reference both to Western art music which is the source of his compositions, and to their lyrical, vocal character. But also hidden in the band's name is the Latin adjective 'liber' (free). That stands for improvisation, for how individuals can take lines and shapes and adapt them, but above all it refers to Danielsson's musical understanding which acknowledges no boundaries.

This third edition of “Liberetto” transcends more of those boundaries than ever before. The opening track of the album looks heavenward: “I wrote 'Agnus Dei' for my mother,” Danielsson explains. “She sang in a choir - as I did later too. The spirituality and the ceremony of liturgical music left their mark on me.” Following on from this gentle, almost classical hymn is “Lviv”, a tune which is very differently wired: it’s brisk, based on a simple poppish melodic hook and it has an uncommon sense of rhythmic forward propulsion. What follows is many-sided: “Sonata in Spain” the band toys with Spanish folklore, “Taxim By Night” has a waft of Turkish-Arabic scent, and “Gimbri Heart” has African charm and warmth. By contrast, “Mr Miller” is a touching ballad with a ‘Nordic Sound’ aesthetic.

All twelve tracks are compositions by Danielsson, and they sum up what 'Liberetto' is all about: through keeping structure and freedom in such a fine balance, the musical expression acquires an almost weightless sense of poise and easefulness. And binding it all together is the wonderful interaction of the musicians. Whether they are playing unison lines, solo-ing and accompanying, or engaging in interplay, the ball is generously and deftly passed from one player to another. 


“The band has developed massively since 2012”, reflects Danielsson. “We have played together so much, we all seem to have a sixth sense now. And that helped us to make the new album more varied and colourful, to take off in even more directions.” However, one member of the original quartet including guitarist John Parricelli and ex-e.s.t. drummer  Magnus Öström, is no longer there: Tigran, the pianist on both of the first albums. But it happened that Danielsson became aware of the extremely talented French pianist Grégory Privat. His origins are in the Caribbean island of Martinique and he also happens to be a member of the ACT family. Danielsson invited him to play and found straight away that they were on the same wavelength. “He is a fantastic addition. Grégory is a hugely gifted storyteller at the piano, with loads of rhythmic sensitivity, plus he brings a Creole element into our music. We are thrilled to have him with us.” 

As was the case for the first two “Liberetto” albums, there are some carefully selected guests, who bring their talents and energies to particular tracks: Sting’s guitarist Dominic Miller makes another appearance, as does trumpeter Mathias Eick with his inimitably rounded sound. Arve Henriksen takes the other trumpet parts - he was in the mix on the “Liberetto” debut album too. The striking oboe solo on “Da Salo” is played by Björn Bohlin of the Gothenburg Symphony Orchestra, with whom Danielsson has been working recently, and finally there is the sensitivity and fair of oud player Hussam Aliwat. As a co-producer singer Cæcilie Norby supported Danielsson to make his musical visions come true.

“Lars Danielsson has a knack of forming great bands", Stuart Nicholson wrote in Jazzwise in 2014."He manages to realise the potential of his musicians in directions even they had not imagined.” With Liberetto III, he has done it again, and produced a beautifully constructed, and yet deeply felt album.


Lars Danielsson / double bass, cello, piano intro on 05 & 08, wah-wah cello & guembri on 09
Grégory Privat / piano
John Parricelli / guitars
Magnus Öström / drums & percussion

Guests:
Arve Henriksen / trumpet on 01, 02, 06, 09, voice on 06
Dominic Miller / acoustic guitar on 10
Hussam Aliwat / oud on 04 & 07
Björn Bohlin / english horn on 02, 03, 08 & oboe d'amore on 01
Mathias Eick / trumpet on 10

Music written by Lars Danielsson

Recorded and mixed by Bo Savik at Tia Dia Studios, Mölnlycke Sweden
Additional recording: Simon Danielsson & Michael Dahlvid
Mastered by Jan Erik Kongshaug at Rainbow Studio, Oslo, Norway
Piano tuning by Bengt Eriksson

Produced by Cæcilie Norby & Lars Danielsson


Cercle Magique Trio - Cercle Magique (DODICILUNE 2017)




Il chitarrista Nando di Modugno, il bassista Viz Maurogiovanni e il batterista Gianlivio Liberti sono i protagonisti di "Cercle Magique", nuovo progetto discografico firmato Dodicilune. Il disco, che nasce dall’incontro di tre personalità musicali molto diverse fra loro, ma straordinariamente combinate in un dialogo a voce sommessa, sarà disponibile da domenica 23 aprile nei migliori store digitali e dal 7 maggio sarà distribuito da Ird in Italia e all’estero. Cercle Magique sarà presentato ufficialmente con tre concerti al Ladisa in Jazz di Valenzano (23 aprile), all'Osteria Malatesta di Matera (28 Aprile) e al Moonlight di Bari (7 Maggio). 

Un viaggio tra il mistico e l’esoterico, che conosce la sensualità della terra e del fuoco e il battesimo dell’acqua. Ogni traccia evoca paesaggi suggestivi, universi onirici e straniati, che declinano naturalmente dal rarefatto al fisico, senza eccessi. I temi si fanno morbidi, i tempi lenti, e accompagnano l’ascoltatore in atmosfere soffuse e godibili. Gli interventi elettroacustici personali dei tre, le suggestioni jazz e un incalzante retropensiero funk-rock conquistano al primo ascolto. Dal torpore alla vita: tutto si anima all’improvviso nelle linee tratteggiate del basso e nelle vibrazioni incessanti delle percussioni. È l’emersione di un altro tempo, di un’altra dimensione.


1) André
2) Manet
3) M.L.
4) Bido
5) Alma Antigua
6) Ti porterò al mare
7) Raffish
8) Ricordi nella pioggia

Compositions by Nando di Modugno (1, 3, 4), Vincenzo Maurogiovanni (2, 5, 6, 8) (Dodicilune edizioni), Ralph Towner (7)


Produced by Cercle Magique Trio and Gabriele Rampino for Dodicilune edizioni, Italy
Label manager Maurizio Bizzochetti (www.dodicilune.it) 
Recorded July 25-26 2016 at Officina Musicale, Castellana Grotte (Ba), Italy
Mixed and mastered September 2016 at Officina Musicale, Castellana Grotte (Ba), Italy
Sound engineer Giuseppe Mariani
Cover/tray photos by Gianlivio Liberti
Artists’ photos by Rocco Crudele, Daniela Gerundo, Fabrizio Giammarco,
Gaga Jovanovic, Carlo Maradei 
Contact: nandimodugno@gmail.com, vizmaurogiovanni@alice.it, gianlivioliberti@yahoo.it


domingo, 23 de abril de 2017

The 50 Best Jazz Clubs in America



The best way to listen to jazz isn’t at home on your iTunes but at your local nightclub. Jazz, like any other type of music, is best heard live.

Yet, jazz is not like pop and rock music. It’s complex. It’s challenging. You need to go to jazz. Jazz does not come to you.

With that being said, we have complied a list of what we consider The Best 50 Jazz Clubs in America.

The criteria we used to choose these venues includes types of jazz and blues music performed, club ambiance and intimacy, choice of performers, reputation and more.

The following places are not only great places to listen to great jazz and blues, they are also great starting points to introduce yourself to America’s music.

If you’re already familiar with the genre, then the following 50 establishments are the type of jazz clubs you can visit to enjoy a tasty cocktail, a fine meal and some of the best live jazz and blues.

55 Bar

New York City
According to their web site, 55 Bar’s “heart is jazz” and its “soul is blues.”  The establishment offers live jazz every weeknight but are open every day until 4am.  Billed as a dive bar from the prohibition era, 55 is an affable jazz club where it feels like everyone knows your name.

7 Mile House

Brisbane, California
The 7 Mile House is one of the only venues on our list where you can catch both live jazz music and the big game.  Check out their web site for specifics as they do book other types of music.  Regardless, live music at 7 Mile House is always free.  The hot spot traces its history all the way back to 1853.  Their menu offers a unique and delicious mix of Italian, American, and Filipino fare.  Also, 7 Mile House is super dog friendly.

Lloyd Gregory and Janice Maxie Reed perform at 7 Mile House.  Photo courtesy of David McSpadden

Arthur's Tavern

New York City
Arthur’s Tavern opened in 1937.  You can find it in New York City’s West Village.  This historic venue is the last continuously operated nightclub to host legends Charlie Parker and Roy Hargrove.  Arthur’s Tavern doesn’t have a cover and they host Dixieland jazz as well as blues and rhythm & blues.

Bach Dancing & Dynamite Society at the Douglas Beach House

Half Moon Bay, California
The venue is the Douglas Beach House.  It’s located 45 minutes from San Francisco in Half Moon Bay.  The Bach Dancing & Dynamite Society hosts jazz performances at the beach house on Sunday afternoons.  The performance space has a breathtaking vista of the ocean and you can bring your own wine.  You don’t have to be a member of the society to attend.

The Balcony Club

Dallas, Texas
The Balcony Club is a cozy music lounge that delights the senses.  The jazz musicians on its stage will dazzle your ears, the drinks from its bar will tantalize your taste buds, and the art deco aesthetic is an eye pleaser.  The Balcony Club opened more than a quarter century ago and is situated next to the Lakewood Theater in Old East Dallas.

The Beehive

Boston, Massachusetts
You’ll find The Beehive buzzing in The Boston Center for the Arts complex.  They bill themselves as a “Bohemian eatery.”  They showcase live music nightly and jazz frequently.  At The Beehive, there’s never a cover for live tunes.  If you’re looking for an establishment with the “quad”—terrific food, terrific cocktails, terrific jazz music, and terrific atmosphere—then The Beehive is your place.

Live music and brunch at The Beehive in Boston. Photo courtesy of M Anima

Birdland Jazzista Social Club

Oakland, California
Birdland Jazzista Social Club is the most unusual and most enjoyable venue on our list.  You have to be a member to attend all the fun, but becoming a member is super easy.  Open on most Fridays and Saturdays—with barbeques usually occurring on the former—The Birdland supports jazz, blues, and salsa artists.  The neighborhood club also throws its support behind the local Berkley High School Jazz Program. 

Bix Restaurant

San Francisco, California
Stepping into Bix Restaurant is like stepping into a time machine and going back to the 1920s.  Jazz music was the soundtrack of the 1920s and it’s the soundtrack of Bix.  Located in the Barbary Coast enclave down an alley, Bix welcomes pianists and vocalists Sunday through Thursdays and jazz trios Friday and Saturday night.

Bix Restaurant in San Francisco.  Photo courtesy of Ted Eytan

The Blue Room

Kansas City, Missouri
The Blue Room is associated with the American Jazz Museum but that doesn’t mean the venue is staid and academic like a museum.  This is a happening club that’s determined to keep “Kansas City Jazz” alive and thriving.  The Blue Room opened in 1997.  It welcomes local and national talent and hosts a jam session every Monday.

Buffa's Bar & Restaurant

New Orleans, Louisiana
Buffa’s Bar & Restaurant is located on the “border of the quarter” and has been since 1939.  Buffa’s is the place to go even if you despise jazz.  Heck, even if you despise live music.  Why?  Their menu is to die for and their bar is highly touted.  Their back room closes but their bar is open all-day, every day.

Cafe-Bar Europa

San Diego, California
Cafe-Bar Europa is patterned after the small bars you see in southern Europe.  Located on Turquois Street, Café-Bar Europa hosts live music every night.  This is one of the only jazz clubs where you can bring your dog (canines are allowed in their enclosed outdoor patio).  More good news: they even have an espresso bar!

Cleopatra's Needle

New York City
Come to Cleopatra's Needle to hear great jazz, but run to Cleopatra's for their awe-inspiring jam sessions.  At these world renowned jam sessions veterans and rookies trade licks, runs, and riffs.  It’s pretty cool.  Not only is Cleo’s jazz music known far and wide but so is their menu.  Their food is so good it was once featured on the Food Network.

Comstock Saloon

San Francisco, California
One of the most inviting and welcoming venues on our list, the Comstock Saloon is found in a space that goes all the way back to 1907.  Now get this: the Comstock offers “turn-of-the-century saloon fare” and amazing cocktails.  Technically a non-jazz club, Comstock hosts enough trios and quartets to satisfy your jazz curiosity.

Comstock Saloon in San Francisco. Photo courtesy of Molly Schoneveld

The Corner

Miami, Florida
If it’s Tuesday in Miami, and you want to hear some enthralling jazz, just rush on over to The Corner.  In fact, it was picked as the best jazz night in Miami in 2014.  Our favorite part of The Corner is the cute seals (as in the animals) on the windows.  You’ve got to love a place that uses cute seals.

Dakota Jazz Club & Restaurant

Minneapolis, Minnesota
The Dakota Jazz Club & Restaurant has hosted sets from a plethora of major acts.  This includes jazz legends like Dave Brubeck and Ramsey Lewis as well as popular musicians like Prince and Martha Reeves and the Vandellas.  The Dakota is found downtown in the Nicollet Mall and the establishment works tirelessly to preserve jazz music.

Darryl’s Corner Bar & Kitchen

Boston, Massachusetts
Its official name is Darryl’s Corner Bar & Kitchen, but you’ll want to call it DCBK.  The establishment serves up tasty victuals and marvelous live jazz.  DCBK’s is opened Tuesday through Sunday.

Jazz trio at Darryl’s Corner Bar & Kitchen.  Photo courtesy of Todd Van Hoosear

de-NOVO Bistro & Bar

Columbus, Ohio
For great live jazz, and/or blues, visit de-NOVO Bistro & Bar on a Thursday, Friday, or Saturday.  This hot venue is located in downtown Columbus.  Not only is it a charming place to listen to live music, but it’s a great hideout for dinner and cocktails.  You’ll love the modern décor especially the exposed brick and rod iron.

Dirty Dog Jazz Cafe

Grosse Pointe Farms, Michigan
The Dirty Dog Jazz Café seats 65 and is a fun, relaxed place to enjoy legends, greats, icons, and greenhorns of the jazz world.  The café is modeled after an English pub—there are lots of dark wood and lots of deep reds.  The cuisine is terrific and the staff is super attentive.

Elephant Room

Austin, Texas
You can experience great jazz in the Elephant Room seven days a week.  This nationally renowned jazz venue is located in the basement of the historic Swift Building.  Thanks to its full bar, the Elephant Room is a destination for both jazz aficionados and jazz neophytes.

FitzGerald's Nightclub

Berwyn, Illinois
FitzGerald’s Nightclub is officially in Berwyn, but it’s just half a dozen blocks from the Forest Park Blue Line stop at Oak Park Avenue.  Regardless of its address, FitzGerald is widely regarded as one of the best live music venues in Chitown.  In other words, it’s worth the commute.

The Flatiron Room

New York City
The Flatiron Room might be the perfect place to introduce yourself to jazz (especially if you like whiskey!).  For one they have “hand-painted coffered ceilings.”  You can’t go wrong with a place that has “hand-painted coffered ceilings.”  Also, they stock jazz acts that are not only talented but designed to be background music, thus allowing you to ease into the genre.  With that being said, they have a beautiful stage with lush velvet curtains. 

The Flatiron Room in New York City.  Photo courtesy of icoNYCa

Green Mill Jazz Club

Chicago, Illinois
Green Mill Jazz Club is a comfortable haunt patterned after a famous Harlem hot spot of the 1940s.  All types of jazz music are featured at Green Mill including improvisational, contemporary, traditional, bebop, and avant-garde.  You’ve probably seen the Green Mill in movies like Ocean’s 12, V.I. Warshawski, The Lake House, and Prelude to a Kiss.

Heidi's Jazz Club

Cocoa Beach, Florida
If you find yourself on Florida’s Space Coast, and you have a desire for some magnificent live jazz, there’s only one place to go and that’s Heidi’s Jazz Club.  Live music is scheduled Wednesday through Sunday.  On Sunday night’s, Heidi hosts an open jam session beginning at 7pm.  The club opened in 1992.

High Hat Club

Chicago, Illinois
So here’s the deal with the High Hat Club: it’s located in the same space as Katerina's (a jazz club that closed in 2015 and would have made this list) and is owned by a former mixologist of the Green Mill Jazz Club (which is also on our list).  The High Hat Club has the warmth of its predecessor (as well as some fresh paint) but is bent on booking more than just eminent jazz artists to its 70-seat establishment.  In the future, look for stand-up comedians, folk singers, and “Soul Bingo.”

Jazz at the Bistro

St. Louis, Missouri
Opened in 1995, and located in St. Louis’ Grand Center Arts District, Jazz at the Bistro offers patrons one of the finest listening experiences in the nation.  There’s not a bad seat in the house and the acoustics are extraordinary.  Jazz at the Bistro is part of Jazz St. Louis, a nonprofit whose aim is to promote jazz.

The Jazz Gallery

New York City
The Jazz Gallery is the most appropriately named venue on our list.  They are a major player in the city’s jazz scene giving artists, both young and old, a place to perfect their craft.  The Jazz Gallery commissions new works, pairs young artists with established ones, showcases 21st century jazz, and provides a rehearsal space for NYC’s jazz musicians.

The Jazz Gallery in New York City.  Photo of courtesy of Jazz Guy

Jazz Showcase

Chicago, Illinois
Dexter Gordon, Count Basie, Milt Jackson, Bill Evans, Dizzy Gillespie, George Benson, and Art Blakey and the Jazz Messengers have all played at Windy City’s Jazz Showcase.  This jazz venue opened in 1947 and since that time esteemed owner Joe Segal has greeted everyone who has come through the doors (he’s the guy at the entrance who takes your money).

Jazz Standard

New York City
Jazz Standard has great barbeque, ambience, and acoustics.  It’s a venue where one night you can experience a living jazz legend and the next you can enjoy a future jazz legend.  Even better, every Sunday, guitarist David O'Rourke leads a program called “Jazz for Kids.”  It’s the ideal place and time to introduce your offspring to jazz.

Jimmy Mak’s

Portland, Oregon
Jimmy Mak’s is Portland’s premiere, and a nationally renowned, jazz club.  Here you’ll find sets from icons as well as rising stars.  We love Jimmy Mak’s cool vibe and its big red curtain.

Johnny D's Uptown Restaurant & Music Club

Somerville, Massachusetts 
The DeLellis family’s Johnny D’s reserves all types of fantastic live music.  They make our list because every weekend they host a live jazz brunch.  Artists that have graced Johnny D’s stage over the years include Béla Fleck, Bill Frisell, and Sun Ra.  Johnny D’s is also known for their delectable menu.

Lafayette Bar

Easton, Pennsylvania
The Lafayette Bar is built around a great idea: “to provide a place… for jazz culture, its fans and our friends.”  Look for shows on the first and third Saturday of the month.

The Little Gem

New Orleans, Louisiana 
The Little Gem is situated on the historic 400 block of South Rampart Street, not too far from the Superdome and The French Quarter.  It schedules New Orleans best jazz artists and feeds jazz aficionados with scrumptious updated Southern Soul food.  The Little Gem is the ongoing brain child of jazz genius Dr. Nicolas Bazan.

Lonie Walker’s Underground Wonder Bar

Chicago, Illinois
Lonie Walker’s Underground Wonder Bar is unpretentious, lively, and colorful.  You come here to enjoy jazz, blues, funk, reggae, soul, and rock—the genre doesn’t matter as long as it’s played with love and passion.  UWB opened in 1989 and has two levels, two bars, and three stages.

Maison Bourbon

New Orleans, Louisiana
Maison Bourbon is dedicated to preserving the genre and is one of two remaining jazz clubs still left on Bourbon Street.  Live jazz is always going down at Maison.  Best of all, you’ll likely to see the jazz superstars of tomorrow perform on their stage this is where Harry Connick, Jr. cut his jazz teeth.

Maison Bourbon in New Orleans. Photo courtesy of Ray Devlin

Metropolitan Room

New York City
Metropolitan Room is a jazz cabaret and an excellent one at that.  The venue is simply gorgeous and so are its acoustics.  It’s operated by professionals who know what they’re doing.  They’ve hired an A-1 staff and devised a delicious menu.  Don’t wear your jeans and ratty t-shirt to the Metropolitan Room.  This 115-seat venue asks that you dress up before walking through its doors.

Nighttime

Cleveland, Ohio 
Nighttime is a sharp looking club.  It opened in 1965 and is found in a building that dates back to the 1920s.  The inside is super cool—our favorite is the penguin with the clock in its belly.  They secure jazz artists four or more nights a week.  The Nighttime attracts an eclectic group of patrons and is named after the Red-Light District in James Joyce’s Ulysses.

Nocturne

Denver, Colorado
Widely praised and super elegant, Nocturne introduces jazz fanatics to ravishing rations and lovely libations.  Closed Sunday and Monday, Nocturne presents live jazz Tuesday through Saturday from 7pm to 11pm.  On Fridays and Saturdays, pay extra for babysitting and enjoy “Late Night Sessions.”  From 11:15pm to 1:15am you can enjoy duos, trios, and even jazz on vinyl.

Nuyorican Poets Café

New York City
Yes, the Nuyorican Poets Café was built on providing a space for spoken-word artists but it has grown to provide a space for a variety of artists to perform and that includes jazz musicians.  Look for Latin jazz on Tuesday nights and then check their online calendar for other scheduled jazz performances.

Adam Faulkner performing at Nuyorican Poets Café in New York City.  Photo courtesy of Nick Gulotta

Paris Bistro & Jazz Café

Philadelphia, Pennsylvania
The Paris Bistro & Jazz Café is found on Germantown Avenue.  The venue’s décor will take visitors back to the 1930s with its red leather, velvet upholstery, and custom metal work.  The bar is upstairs while the outstanding live jazz is downstairs (Thursday through Sunday).  The “jazz café” seats 52 and brings to its stage performances in gypsy jazz, The Great American Songbook, jazz-era music, and traditional jazz.

The Promontory

Chicago, Illinois
The Promontory is a gorgeous space that’s half-restaurant and half-music venue.  The venue engages top-tier jazz acts as well as nationally renowned performers in others genres.  The restaurant boasts about their menu being “hearth to table.”  That means your appealing suppers are made over a big fireplace in the kitchen.

Rasselas Jazz Club & Restaurant

San Francisco, California
Located across the street from the famed Fillmore Auditorium resides the Rasselas Jazz Club & Restaurant.  All week long Rasselas gathers not only the best jazz musicians in the world but the best musicians in the genres of Latin, funk, and rhythm & blues.  Founded in 1986, Rasselas also has a dance floor and a dinner menu replete with authentic Ethiopian cuisine. 

Rasselas Jazz Club and Restaurant in San Francisco.  Photo courtesy of Jason Riedy

Regatta Bar
Cambridge, Massachusetts
We’re not the only publication that loves the Regatta Bar.  It was once labeled “best jazz bar” by Rolling Stone Magazine.  You’ll find this establishment on the third floor of The Charles Hotel on One Bennett Street.  It opened in 1985 and welcomes all ages.

Ryles Jazz Club
Cambridge, Massachusetts
Ryles is such an awesome jazz club that it needs two floors to contain all of its awesomeness.  The Cambridge institution brings to its pair of stories the best jazz warriors in the nation.  Ryles is intimate, sophisticated, and genuine.  It’s also home to the Ryles Jazz Orchestra.

Savanna Jazz Club
San Carlos, California
The Savanna Jazz Club is owned by educators committed to jazz.  That doesn’t mean you’ll be sitting behind desks and forced to listen to lectures.  The Savanna Jazz Club is a gorgeous locale with an impressive bar, a cordial staff, and top notch jazz.  Here, jazz isn’t the most important thing, it’s the only thing.

Scullers Jazz Club
Boston, Massachusetts
Scullers Jazz Club has seen a bunch of big time jazz artists come through its doors including Harry Connick, Jr., Michael Bubble, Chris Botti, David Sanborn, and Tony Bennett.  The establishment opened in 1989 and is owned by the legendary Fred Taylor.  Not only does Scullers offer brilliant jazz music it also offers spectacular views of Beantown.

Ben E. King performing at Scullers Jazz Club.  Photo courtesy Protest Photos1

Shanghai Jazz
Madison, New Jersey
Shanghai Jazz has it all: hip jazz music, gourmet Asian cuisine, a colossal bar, gracious service, and a welcoming atmosphere.  This highly touted establishment opened in 1995 and hosts jazz’s best artists six days a week.  It was inspired by Shanghai of the 1920s and 1930s.

Snug Harbor Jazz Bistro
New Orleans, Louisiana
Wondrous dining room?  Check.  Exhilarating Bar?  Check.  Astonishing live jazz?  Check!  Snug Harbor has been a New Orleans’ fixture for more than three decades.  This must-attend venue is situated in Faubourg Mariginy just outside of the French Quarter.

Snug Harbor Jazz Bistro in New Orleans.  Photo courtesy of Gene Jackson

SOUTH
Philadelphia, Pennsylvania
Jazz experts and restaurateurs The Bynum Brothers own SOUTH in Philadelphia at 600 North Broad Street which offers high-quality live jazz and Southern cuisine, a terrific combo. The three-room restaurant, bar and jazz parlor draws on the Bynum brothers’ unparalleled success at landmark venues such as the original Zanzibar Blue, Warmdaddy’s and Paris Bistro (two of which are also on this list!). The wonderful menu pays tribute to the many culinary centers and hubs below the Mason-Dixon line.

SOUTH

Sugar Bar
New York City
You can listen to all types of live music at the Sugar Bar not just jazz.  We decided to include this club because A) it’s a super hangout, B) they have exemplary desserts, and C) it was founded by the legendary Nickolas Ashford of Ashford & Simpson!  The Sugar Bar resides on the Upper West Side of Manhattan.

Tula's Restaurant and Jazz Club
Seattle, Washington
Tula's Restaurant and Jazz Club presents the city’s leading live jazz seven days a week.   If you make dinner reservations before 7pm on Friday, or Saturday, you’ll get $5 off your cover.  Tula’s has table seating outdoors.  That’s interesting for a city that enjoys 300 days of rain a year and for a venue that touts itself as the best place to listen to live jazz—something you generally do indoors.

Warmdaddy's
Philadelphia, Pennsylvania
Warmdaddy’s bills itself as “food, culture, and music that encompass the real southern rhythm + blues experience.”  In other words, Warmdaddy’s brings The South to the banks of the Delaware River.  The venue, which presents all types of music, not just jazz, has a nonpareil atmosphere and friendly service.  Remember, Thursday night is “Jazz Happy Hour” hosted by Michael Tozzi.

John Lee Hooker, Jr. performing at Warmdaddy’s in Philadelphia.  Photo courtesy of Carl Lender